[1] PABLO PICASSO by Mary Ann Caws — https://bit.ly/2HV97ze
[2] PABLO PICASSO by Hajo Düchting — https://bit.ly/2QMIQWO
[3] THE RELIGIOUS ART OF PABLO PICASSO by Jane Daggett Dillenberger & John Handley — https://bit.ly/2WeYAmm
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Pablo Picasso: A collection of 855 works (HD)
Description: /"Pablo Picasso was the most dominant and influential artist of the first half of the 20th century. Associated primarily with pioneering Cubism, alongside Georges Braque, he also invented collage and made major contributions to symbolism and surrealism He saw himself primarily as a painter, but his sculpture had a great influence, and he also explored fields as diverse as engraving and ceramics. Finally, he was a famous charismatic personality; relationships with women not only seeped into his art, but perhaps also directed his path and his behavior came to embody that of the modern bohemian artist in the popular imagination.
It was a confluence of influences – from Paul Cézanne and Henri Rousseau to archaic and tribal art – that encouraged Picasso to further structure his figures and ultimately set him on the path to Cubism, in which he deconstructed the perspective conventions that had dominated painting since the Renaissance. These innovations would have far-reaching consequences for virtually all modern art, revolutionizing attitudes towards the representation of form in space.
Picasso's immersion in Cubism also eventually led him to the invention of collage, in which he abandoned the idea of the painting as a window onto the objects of the world and began to conceive of it simply as an arrangement of signs using different signs, sometimes metaphorical. means, to refer to these objects. This too would prove hugely influential for decades to come.
Picasso had an eclectic attitude to style, and although at any given time his work was generally characterized by a single dominant approach, he often moved interchangeably between different styles – sometimes even within the same work.
His encounter with surrealism, without ever completely transforming his work, encouraged not only the soft forms and tender eroticism of the portraits of his mistress Marie-Thérèse Walter, but also the strongly angular imagery of Guernica (1937), the anti -the most famous war of the century. paint.
Picasso always wanted to situate himself in history, and some of his greatest works, such as Les Demoiselles d'Avignon (1907), reference a wealth of past precedents, while also overturning them. As he grew up, he became increasingly conscious of securing his legacy, and his later works are characterized by a frank dialogue with old masters such as Ingres, Velazquez, Goya and Rembrandt./"
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