"Zanoni", volume 1, by Edward Bulwer-Lytton

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"Zanoni", volume 1, by Edward Bulwer-Lytton
"Zanoni", volume 1, by Edward Bulwer-Lytton
This is just all chapters collected in one download. If you've been following this whole time, there's nothing new to hear here. Although you can find plenty of additional notes and annotations in the individual chapter downloads, if you need help with translations or with some of the more obscure references.

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Book 1: The musician

Due Fontane
Chi di diverso hanno liqueur effect!

/"Ariosto, Orland. Fur./" Canto 1.7.

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0:00:00 Chapter I
0:23:17 Chapter II
0:34:52 Chapter III
0:47:05 Chapter IV
1:01:22 Chapter V
1:09:44 Chapter VI
1:21:13 Chapter VII
1:32:20 Chapter VIII
1:41:12 Chapter IX
1:55:30 Chapter X

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The images used are:

Chapter 1: A painting of the violinist Niccolò Paganini by Georg Friedrich Kersting. Gaetano Pisani is a fictional character, but Niccolò Paganini seems to have just about the right look to serve as his stand-in. Paganini dates from the early 19th century rather than the late, but close enough.

Chapter 2: Teatro San Carlo – View of the stage from Royal Box by Viva-Verdi, used here under the Creative Commons Attribution-ShareAlike 3.0 Unported license (https://creativecommons.org/licenses/by-sa/3.0/deed. in ).

Chapter 3: Naples, Piazza Vittoria and the Riviera di Chiaia

Chapter 4: /"The Poet/" by Giuseppe Bonito. It was painted in 1742, so a few decades too early for our purposes, but it was extremely difficult to find an image for this chapter. Intended to represent Count Cetoxa and his associates.

Chapter 5: /"Two old men arguing/" by Rembrandt (1628). In this case, Zanoni and his partner.

Chapter 6: /"A little supper, à la Parisienne; – or – a family of refreshing sans-culottes, after the fatigues of the day/" by James Gillray, published by Hannah Humphrey, hand-colored etching, published September 20, 1792

Chapter 7: Théodore Géricault on his deathbed (1824) by Charles Emile Callande de Champmartin. Of course, the old man in this chapter didn't actually die, but he almost did, and his would-be assassin took him for dead, so…

Chapter 8: / “Conversation piece: Three men in 18th century costume /” (1890) by Carl Wilhelm Anton Seiler, at the Victoria and Albert Museum in London.

Chapter 9: /"Death of a musician/" (1859) by Octave Tassaert

Chapter 10: The Angel of Sorrow by William Wetmore Story, which actually comes from a cemetery in Rome for Protestants, so it's not the best fit for a Neapolitan Catholic, but I still feel like it This is an appropriate image to capture the mood of this story. chapter.

To be continued: https://www.gutenberg.org/files/2664/2664-h/2664-h.htm#link2HCH0001

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